Major Discography
Major Discography
The Awkward Angles: A History in 10 Albums
1991 Never Mind
the Pillocks (The Gavyn Greenhow Trio)
1991 Lavender is
my Spirit Animal (Mandy & the Monkey)
1993 Big Guns
& Small Arms (Spittin’ Jack)
1994 Bags for Life
(Mandy & the Monkey)
1994 If the Cap
Fits (Turkeyneck)
1995 Rock Paper
Schisms (Mandy & the Monkey)
2001 Take Me,
Jebus, And Please Bless My Kite (G-Force)
2003 Mrs Martin’s Cockatiel
(Turkeyneck)
2004 Live in Angle
(The Awkward Angles)
2006 Angleterre (The
Awkward Angles)
Chart-Topping Singles*
1992 Hi Dudgeon! (Spittin’
Jack)
1993 Boys Boys
Boys (Spittin Jack and the choir boys of the 1st Squadron Thunderbirds)
1994 Oof! (Spittin’
Jack)
1994 A Thermos Full
of Dreams (Mandy & the Monkey)
1995 Bunty &
Jackie were lovers!” (Turkeyneck)
2000 Tinseltwot (Mandy
Mitchell and the cast of Eastenders)
*including chats in the Solomon Islands and West Burundi
History
With the death of former pop impresario Fat Fingers McGill,
the newspapers have been raking through the sordid details of his life. This
has brought a resurgence of interest in his most closely related stars but what
was life like for Mandy, Gavyn, Dickie and, of course, the renegade songster Spittin’
Jack.
Mandy & the Monkey were an English vocal and
instrumental duo consisting of romantic partners Mandy and Gavyn. They produced
a distinct grating musical style, combining Mandy's contralto vocals with Gavyn's
re-arranging and decomposition skills. Gavyn took piano lessons as a child,
progressing to Mrs Dingley-Jones’ Academy of Music & Nemobics, Old Sodbury,
Gloucestershire, while Mandy learned the bass kazoo and left-handed banjolele.
During their 4-year career (1991-1995), Mandy & the Monkey
recorded three albums, along with numerous singles and a misjudged television
special for Babe Station. They first performed together as a duo in early 1991
and in April toured as the punk-oriented Gavin Greenhow Trio with Gavyn’s
father Spittin’ Jack on spitting and sandwiches. Jack’s drug-fuelled rants on
stage drew too much attention away from the duo’s vocals and inevitably he went
his own solo way after just one album, “Never Mind the Pillocks” (1991).
No copies of Jack’s first chart single remain, a rarity entitled
“Hi Dudgeon!” (1992). He recorded a charity album while on a Comic Relief tour
of Ghana where he had been stationed during World War II as a comfort girl
(second class). “Big Guns & Small Arms” (1993) contained his only chart
single, which climbed to Number 3 after a hi-energy mix made it a gay anthem. “Oof!”
(1994) with backing vocals from Les Dennis, Sid Little and Judi Dench.
At an old pals reunion, he teamed up with other veterans of
the 1st Squadron Thunderbirds, a crack commando unit who was sent to
prison by a military court for a crime they did commit… the single entitled “Boys
Boys Boys” (1993). This four-song platter featured songs from WWII reimagined as
drum and bass and purported to raise money to provide hip replacements for residents
of Mrs Gladys Benson’s Rest Home, Nether Wallop, a charitable home for genteel streetwalkers.
The money disappeared and these men promptly escaped from a maximum-security
stockade to the London underground where they used their Older Persons Freedom
Passes to evade capture.
Today, still wanted by Transport for London, they survive as soldiers of fortune. If you have a problem... if no one else can help... and if you can find them... maybe you can hire... The OAP-Team.
Today, still wanted by Transport for London, they survive as soldiers of fortune. If you have a problem... if no one else can help... and if you can find them... maybe you can hire... The OAP-Team.
In fact, the band’s manager Fat Fingers McGill had syphoned
the money to fund his drug habit. He died only recently in the bedroom of a guesthouse
in Budleigh Salterton. He’d been on a 48-hour binge of his favourite drug
cocktail, a Sidmouth Speedball (2 parts Viakal, 1 part Vimto, shaken not
stirred) which was allegedly spiked with Viagra.
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Signing as Mandy & the Monkey to B&Q Records in late
1991, the original duo achieved major success at Christmas with the hit album “Lavender
is my Spirit Animal” (1991).
After a gruelling tour they went into the studios with producer Hampton Lovett to make their follow up offering “Bags4Life” (1994). It has a green ecology theme and was printed on green vinyl. To keep in with the bleeding heart, Save the World brigade, who heralded the LP as having a very important political message, the record company chose to only print 200 copies.
After a gruelling tour they went into the studios with producer Hampton Lovett to make their follow up offering “Bags4Life” (1994). It has a green ecology theme and was printed on green vinyl. To keep in with the bleeding heart, Save the World brigade, who heralded the LP as having a very important political message, the record company chose to only print 200 copies.
Splits were forming musically and lunch-wise. The duo
finally stopped performing after Mandy sued for damages when she said she had
been force-fed a pork and piccalilli pastie against her will and made to stay up
past her bedtime rehearsing their last single “A Thermos Full of Dreams” (1994). The subsequent album was not a cohesive
offering with Gavyn’s experimental prog-rock and Mandy’s baleful polkas. “Rock
- Paper - Schism” (1994) summed up the end of the affair.
Meanwhile, as Gavyn recuperated in an Ashram just outside
Kidderminster, to detoxify from his Greggs Addiction, his brother Dickie used his
studio manshed to develop an album of electronic music inspired by comic books
characters. “If the Cap Fits” (1994) included his biggest selling hit being “Bunty
& Jackie were lovers!” (1995).
To make ends meet, Mandy took a small role as a pub singer
and apprentice mechanic in Eastenders and was romantically linked with a number
of cast members. She was asked to front the BBC’S Christmas Single “Tinseltown”
During the ill-fated proofreaders and typesetters strike. The resultant single shocked
Radio One DJ’s who immediately banned Auntie’s own product. “Tinseltwot”
(2000) subsequently rocketed to Number One only to be pipped in Christmas Week
by Lord Longford’s “Last Gasp”.
Gavyn had found God. He was a Mr Rashwood who shared a room
on the psychiatric ward. Gavyn’s newfound faith inspired a double anthem with a
47-minute track consisting of just the crackle of a nylon kite flapping in a
high wind: “Peter Powell Loves Me”. Released under the pseudonym G-Force,
“Take Me, Jebus, and Please Bless My Kite” (2001) also featured soft rock-gospel
reimaginings of popular hits with the backing vocals of Tenby & District League
of Plain Ladies.
He and Mandy got back together for the BBC series “Stars in
their Bras” beating Dollar and the Pet Shop Boys in the final three-legged push
up balcony fastening competition but were accused of cheating as Gavyn has stuffed
his brassiere with old tights. They went on retreat to Angle, in West Wales
with Gavyn’s Brother Dickie who was recording his second Turkeyneck album: “Mrs
Martin’s Cockatiel” (2003).
This reignited their love of music and the three formed a
new group the Awkward Angles releasing the “Live in Angle” album in 2004.
The follow up album “Angleterre” (2006) was their last due to Gavyn being put on a right big project at work and Mandy taking a job as Helen Mirren’s stunt double for the Queen. Dickie also lost interest when the musical manshed, the group’s spiritual home, was burned down in an insurance job traced back to Spittin’ Jack and his ever present henchman Fat Fingers McGill.
The follow up album “Angleterre” (2006) was their last due to Gavyn being put on a right big project at work and Mandy taking a job as Helen Mirren’s stunt double for the Queen. Dickie also lost interest when the musical manshed, the group’s spiritual home, was burned down in an insurance job traced back to Spittin’ Jack and his ever present henchman Fat Fingers McGill.
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